The Fulani/Fulata, or "Fulitani" of the Roman writers, preserve an ancient pastoral nomadic and dying culture in modern Africa. Men of this Fulani group called Woodabe often reach 7 feet in height according to Werner Herzog. Woodabe Geerewol dance
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Woodabe-Fulani man in traditional turban |
This High priest of the "Libyan" tribe of Meshwesh discovered in royal Egyptian tomb of the Libyan Pharaoh Psusennes is reminiscent of Fulani men |
The peoples best known as Fulani, Felata, Fulbe, Pullo or Peul in French are a pastoral cattle herding and farming ethnic group spread across the Sahara, Sahel and Sudan as far as between Mauritania Guinea and Ethiopia. Today in different regions the Fulani ethnic and linguistic population is thought to include up to as many as 15,000,000 people.
One peculiarity found among the lesser
modified or “red Fulani”, such as the Wodaabe (who preserve to a great extent the original Fulani appearance and lifestyle),
was pointed out by Werner Herzog in his documentary “Herdsmen of the Sun”. There is a tendency to great height or stature. Apparently many of the
men of the northern Fulani groups as with the Tuareg frequently reach 7 feet
in height and over, something historians tend to forget, or are not always aware of
when assessing "Fulani" origins.
Modern Fulani young woman of the Wodaabe group |
The original Fulani appear to have been fairly widespread in North and
Saharan Africa from a very ancient period. They are probably mentioned in
northern Algeria
or what was considered Mauritania Caesarea as the Fulitani or Barzu Fulitani on
the late 4th map of Julius Honorius (Mommsen 1867, p. 28 and 62). They
are also mentioned as having come down a few centuries later from the Tichit region
by the Tariq es-Sudan written in the 1600s.
They, thus are likely the Warith/Wariz (a probable variant of
Barzu) said to have been pushed down from the Mauretanian
Adrar region by the Arab Quraishi conqueror, Uqba ibn Nafi and converted to
Islam.
As for the Banu Warith or Waritan of the medeival period, they are
described as a clan of the Sanhaja or of
the Geddula or Banu Joddala Berbers ( the latter were considered by that time a branch of the
Sanhaja) by Arabized writers such as Ibn Hawqal and El Bekri and others. (Levtsion
and Hopkins,
2000, pp. 50, 67, 237; Palmer, 1970, p. 61)
By the 10th
century and 11th century Fulani were living amongst several peoples
of other Nilo-Saharan groups who had mixed with and adopted the dialect of Niger-Congo
groups in kingdoms of the Sudan.
The Fulani gradually spread as far east as Ethiopia
where they are known as Bororo and from Mauretania across Senegambia along the
West African costs and savannah they spread to places like the Ivory Coast, Benin,
Togo and Burkina Faso, but appear to have been the same adversaries appearing in ancient Egyptian tomb paintings of the time of Seti and called Tjehenu.
Many
of the groups that today speak the Fulbe, Fulfulde or Pulaagu dialects are in
fact a mixture of the original Fula or Fulitani and these various Songhai and Mande ethnic groups. They are also associated
with the people and place name Futa or Futabe.
A good example of such groups are the Toucouleur, formed and perhaps
named from the Takruri and Fulani who had come to occupy the region of Futa
Toro and Futa Jallon. In the northern Sahel
and Sahara the group preserving the earliest
Fulani lifestyle are known in Western texts “Wodaabe”a variant of the earlier
Futa-be.
Although the
Fulani had been mainly vassals in the early Sudanic kingdoms of Songhai and Ghana, by the
1500s the Fulani were at Macina/Massina in the Middle Niger river region in Mali. They
are associated with coming to occupy and dominate the Empire called Sokoto and kingdom of Bornu originally founded by peoples of
Nilo-Saharan and Tuareg ethnicity.
FULANI OF MODERN MALI |
The origins of
the Fulani have stir some lasting controversy over the last several decades due
to their physical appearance or phenotype, Arabic records concerning their
origins, the presence of Zebu cattle thought to be native to India, certain
inconsistencies with regard to their phenotype and their current linguistic
affinities which were thought to not match their phenotype. Due to European
colonialist ideas about indigenous African origins and especially North African
“racial” origins, the notion has gradually evolved – as it has with the Tuareg and
other dark-skinned Africans once prevalent in North Africa
- that their ethnic roots were
“enigmatic” or “unknown”. Yet, in fact, the earliest Fulani were one of the few
peoples for which there is an abundance of evidence for origins in the Sahara
oases and North Africa since the Neolithic.
The evidence is both archeological and anthropological and tends to show that
original Fulani population belonged to a group of neolithic pastoralists in the
central and northern Sahara who were spread to Kharga, Kerma and possibly
further east in Africa in later times. They
appear to have been among the first people to be known to ancient Egyptians as under
the names Tjehenu or Temehou.
Their
presence in stone age north Africa probably led to contact with other groups as
far back as the late stone age which has led to their current so–called
non-African features such as notably lengthy and less frizzly hair than other
west African tribes and perhaps the introduction of a curvature to their
innately narrow long noses.
Typical faces of Woodabe Fulani |
As for
the current linguistic situation of the Fulani, it should be said that there
are many peoples in Africa that over the past
2,000 years have adopted dialects foreign to their own that subsequently evolved
into newer forms. This has happened for various reasons, often due to trade or immigration. A good example is the current situation of North Africa where many groups of varied ethnicity and
diverse biological origin over the last 2,000 years have adopted either the
Arabic or Berber dialects and claim either Arabic or Berber origin or
nationality today. At one time Berbers themselves were said to have been
largely “Romanized” while now it appears descendants of Romans, Vandals, Scythians,
Central Asians and other peoples who have settled in North Africa (or have
otherwise been brought in) have themselves been somewhat Berberized and
Arabized through admixture and adopting of certain linguistic and cultural
patterns and mores.
The Nilo-Saharans are an example of indigenous
Africans who are known to have mixed with and adopted Niger-Congo dialects of
the Atlantic branch, becoming the Sarakholle, Serer, Soninke, Djallonke,
Jahanke and other groups now designated “Mande” or “Mandinke”. Thus, the fact
that certain groups now speak a specific dialect doesn’t always say much about
their cultural origins.
Due largely to Fulani
physical appearance and culture, early colonial observers viewed them as part
of an imagined great warlike “Caucasoid” race near black in complexion which
they called “hamitic” that had amalgamated with what they called “Negro” tribes. This idea was spurred and
bolstered by the fact that when colonialists first encountered Fulani in the
Sudan they were often viewed by other Africans as a separate, lighter-skinned caste
in places like the region of Massina where they were even described as “whites”
by their own and in Arabic writings (a description that is used in Africa for
many black African groups that are somewhat dark brown in tint rather than
black or brown black).
Furthermore, in
many places there was a certain ethnic rivalry between Fulani and other groups
as is common between more nomadic and more settled agricultural peoples in Africa. And these tensions (which haven’t completely disappeared
in Africa since they were aggravated by European colonialist notions) in
various regions was often attributed to “racial “differences between the
“lighter-skinned” “nobles’ of “hamitic stock” and the so-called “black African”
or “Negro” agriculturalists.
Of course Africa is made up of diverse populations of various complexion and phenotype from the yellow brown of the San and Kung Bushmen to the blue black of some Nilotic groups, and copper or bronze brown of certain Fulani and Beja. None of these groups can obviously be considered more black or African than the other as each has specialized development that has led to their particular phenotype.
Woodabe couple |
Of course Africa is made up of diverse populations of various complexion and phenotype from the yellow brown of the San and Kung Bushmen to the blue black of some Nilotic groups, and copper or bronze brown of certain Fulani and Beja. None of these groups can obviously be considered more black or African than the other as each has specialized development that has led to their particular phenotype.
That being said,
it is true that the Fulani especially the northern Fulani like the Woodabe often
have a lighter caste to their skin than African tribes they live amongst and very
often preserve features that are similar to the Nilo-Saharans and Cushitic
speakers further much further east. The latter also often have a complexion
that is often more of a dark copper brown than it is black brown. Still the
Fulani were and are one of the major African groups contributing to the
ancestry of blacks in the Americas
(until recently known as “Negroes”), a fact that is now being confirmed by
genetics, but was already established from colonial records in the U.S. and
elsewhere. Thus, the conception of them as a “non-black” African group, as had
been commonly suggested was a bit silly to entertain – and disingenuous, to say
the least.
Fulani came in large numbers to America during the Atlantic slave trade and have
been said by scholar Sterling Stuckey to have greatly influenced the
cowboy and cattle culture in the United States. They have been cattle and sheep herdsmen for thousands of years and have kept many traditions alive. Herdsmen often affectionately name each member of their herd and know each by name. Cattle were not slaughtered for their meat, but useful for their milk and other things. Long ago the ancestors of the Fulani and related people came to make the cow a symbolic of their gods in the Sahara and along the Nile.
Fulani man stands in front of his herd of cattle |
Yarrow Mahmoud - Fulani man in the U.S. who had won freedom lived in Washington, D.C. Abdul Rahman Ibrahim ibn Sori-former U.S. slave |
Abdul-Rahman (above) had been a student at Timbuktu (Tin Buqti) even then a world famous capital of learning in Mali. But he fell into hard times after serving as a leader in battle under his father against an enemy tribe. After being ambushed by his enemies with some of his war party on the way back to his father, he was sold as a prisoner of war by an enemy tribe. Like numerous other Fulani - Abdul-Rahman was brought to America by slavers. The year was 1788, and he was 26 years old. He spent the next 40 years as a slave and slave overseer in Mississippi. He won his freedom and liberated his family moving to Liberia where he fell ill and died only a few months later.
Like the
Tuareg, the Fulani were admired by colonialists for what were perceived as cultural
traits traceable to their “white hamite” origins. They were perceived as being
more war-like than the more agricultural groups who were darker-skinned and
known and praised for such values as “never turning back” in battle. There was
also the fact that the colonialists who met the Fulani ruling elites found them
to have profiles and coloring rather like those of the ancient “Egyptians”.
They were never hesitant about commenting on the coiffures of Fulani men which they
found to be curiously similar or identical to those of the ancient “Libyan” men
portrayed in the tombs of Seti and other early Egyptian pharaohs.
Several early
authors documented this habit of wearing the hair among the Fulani, consisting
of long plaits with long curled sidelocks worn by the ruling class of 19th
century Massina (in what is now Mali),
as well as places in Chad. Speaking of the Fulani rulers of Massina or Macina,
Ignatius Donnelly wrote in his 1882 book, Atlantis:
The Antediluvian World, that in “Soudan, on the banks of the Niger,
dwells a negro tribe ruled by a royal family (Masas), who are of
rather fair complexion, and claim descent from white men…the Masas wear their
hair in the same fashion as the Tamahus” (Donnelly & Sykes, 2003, p. 182). The
“Negro” tribe in this case were the Mande population. Unfortunately this habit of weargin long curled locks is more characteristic of women than men today but is represented in many ancient Egyptian portayals of the people dwelling in oases adjacent to the Nile.
The ancient face of the earliest Libou/Tehenou men are often captured in modern Wodaabe faces |
Ancient "Libyans" with sidelocks as they exist on 19th dynasty tomb of Seti |
Fulani men of the Woodabe clan customarily adorn themselves. Woodabe by Ferdinand Reus on Flickr. |
Some early
scholars were evidently misled by the
portrayals of Libyans by the 19th century Richard Lepsius who in his
canon for reasons which are not quite clear or perhaps all too clear, seems to
have rendered the ancient Libyans of a particular tomb in a tint much lighter
than they appeared in the actual painting. Other scholars appear not to be
aware that the ancient use of the term Tamahou or Tjemehou was originally used
exclusively for the dark brown people of the Kharga and the other southern oases as
(the name first appears in the 6th dynasty) and only much later for
westerners in general including the rather mixed conglomeration of “Sea
peoples”.
The above renderings are probably an attempt by some Egyptologists to mold the Libyans into the famous "Hamitic caucasoids" of colonialist fantasy. But the Libyans that appear in the tombs they are said to come from only appear either in a very dark color of the modern Fulani and Maasai or else like those below.
Even with the dark paint brown paint fading from their skins and the black from black plaited hair and side locks, one sees their "true colors" and the African origins of these rather late Libyans are evident.
Caricatures of the ancient Libyans repainted to look like Europeans with beards and African hairstyles |
CARTOONISH RENDITION OF THE LIBYANS Another strangely distorted and unrealistic or fantastical depiction of a "Libyan" by Richard Lepsius that is wrongly said to appear in an ancient Egyptian tomb |
True to life painting from the New Kingdom dynasties of Egypt. |
Another
archeologist named Oric Bates author of a foundational work known as The
Eastern Libyans, also commented on these hairstyle similarities saying “the
Fulbe or Fulahs of the Chad-zone sometimes braid the hair in a manner which
strikingly recalls the Libyans of the monuments” (Bates, 1914, p. 136).
Furthermore, it was not only the hairstyles, but the complexion, the attire, hats, feathers and designs in their costumes and tattoos, as well, which seemed to link them to certain of the early peoples settled in Libyan oases next to Egypt (in places like Kharga and Dakhla) and Nubia since Neolithic times.
Furthermore, it was not only the hairstyles, but the complexion, the attire, hats, feathers and designs in their costumes and tattoos, as well, which seemed to link them to certain of the early peoples settled in Libyan oases next to Egypt (in places like Kharga and Dakhla) and Nubia since Neolithic times.
ABOVE: Tattooed Fulani men |
Specialist Marion von Offelen in the more
recent Nomads of Niger also
noted resemblances in the attire and clothing designs of the present Woodabe
group of Fulani to attire and tattoos designs on the “Libyans” of 19th
dynasty tomb paintings of Seti (Van Offelen & Beckwith, 1984, p. 177). The
details of these elaborate designs are obviously too alike to be just
coincidence.
Elaborate designs on the this Fulani young man's attire go back thousands of years in Saharan art and ancient Egyptian potrayals of the New kingdom Libyans. The designs have a special significance.
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However, what clinches the case is the well
documented archaeological connection of the early people of the oases like Kharga
and similar peoples in Nubia
to some of the pastoral nomads in earlier eastern and central Saharan rock art
of the Neolithic. Bates long ago noted that on Fulani garments were also the
same designs that appear on the C group pottery of Kerma, (Bates, p. 251). As
well archaeologist David Phillipson noted the archaeology of C-group
pastoralists suggests a Saharan origin. (Phillipson, 1977, p.66). These connections are not only strong
at Kharga and Wadi Howar, but at Tassili and Annadi, Tibesti, Air,
Ahaggar/Hoggar, Jebel Uweinat, Gilf Kebir and Wadi Djerat where the paintings
date back to the neolithic period known to art historians and archeologists as
the “Bovidian” dating back to the 3rd and 4th millenniums
B.C.
Rock art from the Algerian Sahara - individuals fix their hair or turbans |
Women of the Fulani today continue to wear long side locks and ancient Saharan hairstyles. Ancient inhabitants of Tassili in Algeria appear to sport the modern Fulani bun hairstyle |
This is an area stretching from Algeria and Niger
to Libya Sudan, and Chad
where cattle in rock art with horns artificially deformed and cattle pendants
typical of those of the C-group population of Nubia have been discovered. Gabriel
Camps attributes these practices to C-group Nubian influence rather than vice
versa. The two groups most characteristically associated with these paintings
of “Bovidian” pastoralists according to Camps resemble the “tall” slender
Fulani, and the smaller built populations called euphemistically brown or
gracile Mediterranean man of Nubia (A and C-group), Egypt and the countries of
the Horn i.e. the ancestors of many Nilo-Saharan, Afroasiatics or Cushitic-speakers
(Camps, 1982, pp. 574-575)
Aside from Camps, numerous
archeologists and rock art specialists of both European and African descent
have noted that many elements in Fulani culture, from the type of huts to their
current rituals and hair styles and profiles, seem to be depicted in some of
the very early pastoralist art work of Saharan oases stretching into the Central Sahara. The Fulani anthropologist Amadou Hampate
Ba along with Germaine Dieterlen, authors of the article, “The Frescos of the Bovidian epoch in Tassili n'Ajjer and Traditions of the
Peul” thought they had identified similarities between rituals and
ceremonies shown in some of the rock paintings and those practiced by certain
of the Fulani of today (Hampate Ba & Dieterlen, 1966, pp. 151-157).
J. Hiernaux, a noted specialist on ancient rock art or frescoes of
neolithic Saharan pastoralists also expressed an opinion on this. He was struck
by similarities of the crest headgear and bun hairstyle in pastoral rock art of
the Hoggar and Tassili and those of Fulani men and women of Macina/Massina near
the Niger.
The large lyre-shaped horns, so typical of the bovine figures, carvings and
cave paintings are found especially in the Bororo Fulani herds.
Christian Dupuy author of “The Rock Carvings of the Adrar des Iforas”,
also expressed his belief that Fulani may have been responsible for some of the
central Saharan rock art in which warriors are depicted. He wrote, “Certains
des Peuls établis aujourd'hui dans la moyenne vallée du Niger, pourraient être affiliés aux auteurs des
gravures de guerriers du Sahara méridional…” (Dupuy,
1991).
At Jabbaren where Bovidian rock art dates back to the 4th millennium the artists have depicted a practice maintained by the
Fulani of transporting the armature of huts, and the head gear, cattle, clothing
and most typical physical characteristics of human figures of the pastoral
period resemble the present day Fulani. These were undoubtedly similar to the early people who first appeared in the Fayum as Tjehenu in the Old Kingdom.
More recently scholars like J.L. Quellec in "Les Gravures Rupestre in Fezzan" have spoken of the numerous connections between C-group Nubians and ancient occupants of the Fezzan (Quellec, 1985, p. 373). These connections likely corroborate why ancient Libyans in Egyptian tomb paintings were found by Bates to wear tattoo designs similar to those present on C-group pottery.
Modern Fulani man of Nigeria |
The skin color of many Fulani has often been commented on by colonial scholars.
Libyan or "Tjehenu" man from the Old Kingdom era of Egypt wears characteristic "crossbands" |
Modern crossbands of young Fulani men |
More recently scholars like J.L. Quellec in "Les Gravures Rupestre in Fezzan" have spoken of the numerous connections between C-group Nubians and ancient occupants of the Fezzan (Quellec, 1985, p. 373). These connections likely corroborate why ancient Libyans in Egyptian tomb paintings were found by Bates to wear tattoo designs similar to those present on C-group pottery.
Interestingly, modern Fulani also sport at
times a hairstyle in which the hair is left long in the back and head shaved in
the front, similar to the description of the hairstyle worn by the ancient
Machlyes of ancient Libya
who according to Herodotus spread to the river Triton in the Syrtic region.
The women of the Machlyes were said to have practiced mock ritual battle with the neighboring women of the Auseans, in honor of their deitesse Minerva or Pallas Athena. According to the Greeks, the ancestor of the Libyan Machlyes, the Psylli and the Adyrmakidae of both Nubia and Libya was Amphithemis, son of Acalle (or Acacallis) the daugther of Minos, son of Triton, the water nymph.
The ancient Machyles "Libyans" (Northeast Africans) of Lake Triton let their hair "grow long in the back of the head". Herodotus 5th century B.C., Book 4.180.1 |
The women of the Machlyes were said to have practiced mock ritual battle with the neighboring women of the Auseans, in honor of their deitesse Minerva or Pallas Athena. According to the Greeks, the ancestor of the Libyan Machlyes, the Psylli and the Adyrmakidae of both Nubia and Libya was Amphithemis, son of Acalle (or Acacallis) the daugther of Minos, son of Triton, the water nymph.
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Ba, A, H. and
Dieterlen, G. (1966). Les fresques d’époque bovidienne du Tassili n’Ajjer et
les traditions des Peul: Hypothèse d’interprétation, Journal de la Société des Africanistes, 36, 151–157.
Bates, O. (1914).
The Eastern Libyans. Frank Cass.
Camps,
G. (1982). Beginnings
of pastoralism and cultivation in Northwest Africa and the Sahara: Origins of the Berbers. Cambridge History of Africa
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Quellec, J.L. (1985). Les gravures rupestres du Fezzan Anthropologie, Paris /pdf_files/124/1244875719.pdf http://www.rhinoresourcecenter.com/pdf_files/124/1244875719.pdf
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Reynolds, D. W.
(199). The African heritage and
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(Please feel free to make copies in case anything disappears. There are many people that publish, or copy and paste the information from this blog onto other sites. However, as a person with multicultural interests and background, I would appreciate if the above text is not copied and pasted without quotes under pseudonyms, or anonymously, to other web-sites in combination with trading curses or using abusive language with other individuals, or else, verbally insulting, denigrating, or attempting to dehumanize various ethnic groups, i.e., "white people", Europeans, "Arabs", " Jews", "Turks", Israelis, etc. Please do not modify or add to text directly copied or taken from this site. Thanks in advance for your consideration. : )